Tuesday, August 9, 2016

Richard Williams: New Objects and Wall Collages

Thursday 11 August, 2016, from 7 pm, at Alice Yard

Installing Bloody Republic


















The artist will present a sequence of actions/experiments for one night only. Trinidad-born artist Richard Williams is influenced by contemporary wall graphics, graffiti, and the public performances of the Fluxus Movement. His creative explorations can be traced to their genesis in the yard of his family home in east Trinidad, and can now be seen on the streets of Germany.

“I moved to Germany about ten years ago… I began my formal art practice when I finished at the John S Donaldson Technical Institute design programme. Although I may be far from home, switching off my feelings of concern is not an option for me. I always pay attention to how we treat our environment and communities… My latest works combine the worlds of past and present. I am revisiting my past and bringing it into my present experiments. Showing the reality of T&T’s 2016 social collapse is important to me — dealing with these problems is the start for finding a way to solve it.”


Invasive Species (detail)


Rattan vs Plastic 

Tuesday, August 2, 2016

Asha Ganpat: New Works

Thursday 4 August, 2016, from 7 pm, at Alice Yard


During her week at Alice Yard, artist in residence Asha Ganpat has made two series of new works: Save Me Hanuman!, using found printed materials (an illustrated children’s book of Hindu stories and a book on local insects), and Hard Alchemy, using coins and gold leaf. On Thursday 4 August, she will present these along with an informal short talk on her recent and current projects. The works will remain installed until Saturday 6 August.

All are invited.


Sunday, July 31, 2016

Introducing Asha Ganpat

Artist in residence, July and August 2016


Asha Ganpat is a multimedia visual artist who was born in Trinidad and now lives and works in New Jersey, where she is an adjunct professor of sculpture at Montclair State University, is an independent curator, and co-founded Red Saw Gallery in Newark.

In late July and early August 2016, Ganpat is artist in residence at Alice Yard, where she plans to use locally sourced media for her work. In one piece, she will combine images from a Hindu story book and a published survey of insect life in Trinidad to play out a vengeance fantasy spurred by the many bites and stings and near-misses over the years. In another work, Ganpat will look at the imbalance of currency exchange and will seek valuation and revaluation through a playful consideration of alchemy.

Ganpat received a BFA from Mason Gross, Rutgers University, and an MFA from Montclair State University. She has shown her work at institutions such as the Brooklyn Museum of Art, the Insitituto di Cultura, Exit Art, the Noyes Museum, the Queens Museum, the Jersey City Museum, and the Nathan Cummings Foundation. Her work was cited as one of NYC’s top ten art installations of 2012 by Complex magazine. She is an alumnus of Aljira’s Emerge, Gaia’s Wonderwomen Program, the Annual New Jersey Book Art Symposium, and Chashama North residencies.

Wednesday, July 20, 2016

Captured in the Grip of Listening?

Photographs of People with Radios in (Post-) Colonial Bamako
A talk and research exhibition by Antawan I. Byrd
Wednesday 27 July, 2016, 7 pm, at Alice Yard


Studio Photo Diallo, Untitled, 1962, Silver Gelatin Print, 5 x 7 in., Private Collection

Antawan I. Byrd is a PhD Candidate in Art History at Northwestern University, studying modern and contemporary art of Africa and the African Diaspora. During the months of July and August, 2016, he is researcher in residence at Alice Yard.

His dissertation, tentatively titled “Interferences: Sound, Technology, and the Politics of Listening in Afro-Atlantic Art”, examines how artists in Bamako, Port of Spain, and New York use sound technologies to engage profound moments of political change, beginning in the second half of the twentieth century.

On Wednesday 27 July, he will give an informal talk at Alice Yard, discussing his research on sound and photography in Bamako, and introducing his research interests and aims for Port of Spain. A selection of photographs collected during this research will be on display, continuing until Sunday 31 July.

All are invited.

Photo: Steeve Bauras

About Antawan I. Byrd:

Most recently, Byrd was an Associate Curator for Telling Time, the 10th Bamako Encounters Biennale of African Photography, 2015, and was a member of the editorial team for the 2012 Biennale Bénin Inventer Le Monde: L’artiste Citoyen. He was a curatorial assistant for J.D. ‘Okhai Ojeikere: Moments of Beauty at the Kiasma Museum of Contemporary Art, Helsinki, in 2011. From 2009-2011, Byrd worked at the Centre for Contemporary Art in Lagos as a curatorial assistant. His research has been supported by an Andrew Mellon CLIR fellowship, a Block Museum curatorial fellowship, a grant from Northwestern University’s Buffett Institute for Global Studies, and a Fulbright fellowship.

Monday, June 6, 2016

Alexandra Majerus: Down the Islands

Thursday 9 June, 2016, from 7 pm, at Alice Yard



During her time at Alice Yard, current artist in residence Alexandra Majerus has created a video work in response to conversations and text messages, which she will present on Thursday 9 June, along with an informal talk on her recent and current projects.

All are invited.

Alexandra Majerus is a multidisciplinary artist who works in photography, video performance, and installation. With a half-Caribbean background, Majerus has repeatedly migrated between Barbados and Canada. She investigates the culture and history of Caribbean countries and their diasporas within their frameworks of colonialism and forms of neo-colonialism.



Tuesday, May 31, 2016

Introducing Alexandra Majerus

Artist in residence, May and June 2016


Alexandra Majerus is a multidisciplinary artist who works in photography, video performance, and installation. With a half-Caribbean background, Majerus has repeatedly migrated between Barbados and Canada. She investigates the culture and history of Caribbean countries and their diasporas within their frameworks of colonialism and forms of neo-colonialism.

Majerus is currently an MFA candidate at OCAD University, and is looking at the dynamics of subjectivity and identity that lie between the constructed perception of Paradise and lived experience. During her residency at Alice Yard in late May and early June 2016, she plans to investigate the different and/or similar perceptions that Trinidadians may have of themselves and their landscape and culture in an economy that is not driven by tourism.

Monday, May 16, 2016

A conversation with curator Kristen Gaylord

Thursday 19 May, 2016, 7 pm, at Alice Yard 


Kristen Gaylord is the Beaumont & Nancy Newhall Curatorial Fellow at the Museum of Modern Art (MoMA), and a PhD Candidate at New York University.

During the third week of May 2016, she will be curator in residence at Alice Yard, meeting Trinidadian artists and investigating the contemporary art scene and Alice Yard’s network of collaborators.

On Thursday 19 May, at 7 pm, she will give an informal talk at Alice Yard about her experience of MoMA’s C-MAP global research programme. She hopes to start a discussion about the challenges and opportunities of curating from a “global” perspective, especially related to the Caribbean.

All are invited.

Wednesday, April 20, 2016

AY/24/7: Joshua Lue Chee Kong

Flag of My Mother’s Land


A statement from the artist:

“This flag pays tribute to the work of fellow Trinidadian artist Carlisle Chang (1921-2001) who was a part of the Independence Committee that created the design for the national flag when Trinidad and Tobago gained its independence from Britain in 1962. It gives me great pride that another Trinidadian of Chinese ancestry created this iconic emblem. This flag is also a symbol for the Chinese diaspora who came before me in the late 19th century to work on the estates under the British colonial rule and have since made Trinidad and Tobago their home.

“What is this place called home? Is it the place where one was born and grew up, or is it a place where a billion look-a-likes walk around? This flag represents my roots and also my inner conflict of belonging. This feeling of disconnection was particular strong during my artist residency at Red Gate Gallery in Beijing. I was a stranger in my mother’s land where I looked Chinese but did not feel Chinese because I was unfamiliar with the language and to the culture.

“This flag was stitched in China during my time in Beijing. It comprises of found materials that were around my studio, from a street banner that was hung on the sidewalk of the main street to discarded clothing. All the materials were specially selected to represent my notion about China from the Chinese characters on the red banner and the oriental patterns of the cloth.

“In the end I just wanted to say even though my bloodline came from China, I will always be a ‘Trinbagonian’ no matter what.”


Joshua Lue Chee Kong was born in Trinidad and Tobago. He studied graphic design at the Savannah School of Art and Design, where he received a BFA. After graduating, he worked for a year at Alfalfa Studio in New York, developing his skills as a graphic designer. He is presently living in Trinidad doing freelance work in branding, publications and design consultations.

The artist is investigating expanded ideas of national identity, transcending traditional racial and social barriers. He has a keen interest in history and culture and is presently exploring Trinidad and Tobago’s folklore, aspiring to making it relevant to the present global family, while preserving its own cultural uniqueness.

His work had been published in Asian Diasporic Visual Cultures and the Americas, ANNO book, See Me Here: A Survey of Contemporary Self-Portraits from the Caribbean, the Draconian Switch e-magazine, and two of his photographic images appeared on the cover of TIME magazine.